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Le Jardin Enchante 8 bar change 64 figure x 5

from Four Cotillions by M. Antoine by Green Ginger

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From de la Cuisse Le Repertoire des bals 1st Part 1763 - www.loc.gov/item/12029698/

8 bar intro + 8 bar change and 64 bar figure x 5 ending with 8 bar change

Original instructions interpreted:

8 bars - Change

64 bars - Figure

B music 4 bars - The head couple dance half a square while the sides chassee ouverte and rigaudon
4 bars - The sides dances a half square while the heads chassee croise and rigaudon
A music 4 bars - The sides who are in the middle, balance and rigaudon while the heads chassee back to their original places and rigaudon
4 bars - The sides circle left back to their places while the heads turn 2 hands in place and rigaudon
B and A music 16 bars - the movements are repeated with sides dancing the small square etc
C music 8 bars - Everyone takes a 2 hand crossed hold with left hand on top. Each man pirouettes his lady under his arm and rigaudon. Then heads take nearer hands and dance into the next place round, turning clockwise as a pair while sides take nearer hands and chassee left one place
C music 8 bars - Repeat with the sides turning clockwise to place while heads chassee back to place
D music - 8 bars - Heads turn 3/4 into a line down the centre of the set while the sides take both hands and chassee to the centre line so the ladies are back to back in the centre. Heads turn anticlockwise to place and rigaudon while sides turn clockwise to place and rigaudon
E music - 8 bars - Repeat with sides leading (line forms sideways across set)

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from Four Cotillions by M. Antoine, released July 1, 2000

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Green Ginger London, UK

Cas, Ian and Meryl have played together for over 40 years for English and Scottish country dance, ceilidh dancing and later for historical dance events,

We do a lot of research into historical dance music and are continually finding new dances to introduce into the dancing repertoire.

We always have great fun playing and hope this is communicated to the audience, be it dancers or spectators. ... more

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